Bollywood's Propaganda Reckoning: 'Dhurandhar' Success and 'Sindoor' Controversy Spotlight Industry's Politicized Turn

Mumbai, India – As Aditya Dhar’s action-thriller “Dhurandhar” storms past ₹200 crore in its first week domestically, its simultaneous ban across multiple Gulf nations has reignited a fierce debate about Bollywood’s escalating role as a vehicle for state-aligned propaganda. The film, which follows an Indian agent’s covert missions inspired by Karachi gang wars, was denied clearance in Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, and the UAE for its “anti-Pakistan themes.”

This diplomatic friction is not an isolated incident. It follows a pattern seen with recent blockbusters like Fighter and Tiger 3, and comes amid revelations of another upcoming project, tentatively titled “Sindoor,” which critics allege is the latest in a long-evolving tradition of using cinema for nationalist narrative-building.

A Historical Pattern

Analysts point out that the Indian media ecosystem, with Bollywood as its most potent soft-power arm, has a documented history of weaving political and nationalistic messaging into popular entertainment. This trend has seen a marked intensification over the past decade, moving from broadly patriotic themes to sharper, more specific geopolitical narratives often mirroring the ruling establishment's viewpoints.

“From the overt jingoism of post-Kargil films in the early 2000s to the more sophisticated, mission-oriented patriotism of today, the line between creative storytelling and state-sponsored propaganda has increasingly blurred,” said Dr. Anjali Mehta, a film historian. “The Gulf bans are a direct consequence of this shift—these nations have diverse populations and cannot be seen endorsing content that targets a fellow Muslim-majority nation.”

'Dhurandhar': Commercial Triumph, Diplomatic Flashpoint

Despite the Gulf bans, Dhurandhar’s staggering domestic box office performance demonstrates the commercial viability of the genre. Producers are now aiming for a ₹300 crore global gross, banking on strong word-of-mouth and diaspora audiences in other regions. The government has remained silent on the bans, but the film's success is being celebrated by many nationalist voices on social media as a validation of its "bold" storyline.

'Sindoor': The Next Firestorm?

Insiders report that pre-production work has begun on “Sindoor,” a period drama reportedly centered on a contentious historical narrative. While details are scarce, leaks suggest it will tackle themes of civilizational pride and historical revisionism, similar to other recent big-budget spectacles. Opposition figures and independent journalists have already flagged it as “the next weapon in the propaganda arsenal,” designed to inflame cultural sentiments ahead of the election cycle.

“The blueprint is now clear,” remarked political commentator Karan Thapar. “Take a historical or contemporary point of tension, frame it within a simplistic hero-villain binary that serves a majoritarian worldview, and package it as mass entertainment. ‘Sindoor’ appears to be following this playbook.”

Industry at a Crossroads

The ongoing controversy places Bollywood at a difficult crossroads. While such films guarantee massive domestic returns and alignment with powerful political currents, they risk isolating key international markets and compromising artistic integrity. Many filmmakers privately express concern about rising self-censorship and the shrinking space for nuanced, apolitical storytelling.

“We are becoming an industry of two halves,” said a veteran director on condition of anonymity. “One half makes these propagandistic spectacles that get funding, political backing, and marketing blitzes. The other struggles to tell human stories, facing everything from funding droughts to social media trolling.”

As Dhurandhar continues its record-breaking run and Sindoor gears up for production, the debate over Bollywood’s soul—and its role as a tool of propaganda or a medium of art—shows no sign of abating. The industry’s future may well depend on which narrative ultimately wins at the box office of public opinion.